AMAMIHE Journal of Applied Philosophy

This paper examines the cultural significance of the Kibere, a sacred ritual drum among the Bace (Rukuba) people of Kiceland, and considers its possible place in Christian worship. It describes the drum’s traditional construction, consecration, custodianship and use in initiation ceremonies, festivals, marriages and hunting celebrations. These practices express cultural identity, communal unity, ancestral continuity and spiritual meaning. At the same time, the sacrifices and ritual offerings associated with the Kibere raise ethical and theological concerns for Christians. Drawing on the historical transformation of the cross from an instrument of execution into a Christian symbol, the paper argues that an object’s meaning can change through its use and interpretation. It situates this argument within the Church’s wider practice of inculturation: communicating the Christian faith through local languages, customs and symbols while retaining its central beliefs. The paper proposes that the Kibere’s artistry and musical function can be distinguished from ritual practices that conflict with Christian teaching. A drum made without those rites could therefore be adapted for Christian worship as an expression of Bace heritage and praise of God. The paper recommends theological dialogue among ministers, catechesis on inculturation, cooperation with traditional rulers, and the construction of Kibere drums for church use while preserving others for traditional contexts. It concludes that thoughtful adaptation can help Bace Christians unite cultural identity with Christian faith, enrich local worship and contribute an indigenous expression to the wider Christian tradition.

Open Full Text (PDF)