Journal of Development Communication And Applied Theatre

COSTUME AND THE DRAG SKIT MAKER: THE EXAMPLE OF WARRI MAMA

HUMOUR AS A CATALYST FOR SOCIAL RESILIENCE IN LOKOJA, KOGI STATE: COPING MECHANISMS AND SOCIAL INTERACTION

A STUDY OF TIMAYA'S BUM BUM (REMIX) AND THE FEMALE BODY AS OBJECT OF DANCE IN NIGERIAN MUSIC VIDEOS

THEATRE AS A CATALYST FOR CONSCIENTIZATION: REFLECTIONS ON FORUM THEATRE IN JOS METROPOLIS

EXTRACTIVE VIOLENCE AND ECOLOGICAL RESISTANCE IN JETA AMATA'S BLACK NOVEMBER: AN ECO-CRITICAL MARXIST FEMINIST ANALYSIS

A TEXTUAL DECONSTRUCTION OF RELIGIOUS HYPOCRISY IN WOLE SOYINKA'S THE TRIALS OF BROTHER JERO

EXPLORING THE ROLE OF MEDIA IN PROMOTING WOMEN POLITICAL LEADERSHIP: PLATEAU STATE WOMEN POLITICIANS' PERSPECTIVES

HYBRIDIZATON AND THE THEATRE PRACTICE: AN ANALYSIS OF LEGENDS THE MUSICAL

UNPACKING THE LUCRATIVE POTENTIAL OF ONLINE SKIT-MAKING IN NIGERIA: AN EXPLORATORY STUDY OF SKIT MAKERS AND THE INDUSTRY

ANALYZING NOLLYWOOD FILMS AND WEALTH CREATION THROUGH VISUAL EFFECTS AND ANIMATIONS ON YOUTUBE

INTERROGATING POLYGAMY AND FORCED MARRIAGE IN THE NIGERIAN SOCIETY: A REVIEW OF RASHEEDAH LIMAN'S HEART OF A WOMAN

BUILDING BRIDGES BETWEEN YOUNG PEOPLE RAISED IN THE DIGITAL ERA AND LIVE THEATRE

A CRITIQUE OF THE CHARACTER INTERPRETATION OF JEDIDAH IN A TRIBE CALLED JUDAH (2023) AND YEJIDE IN A BATTLE OF BUKA STREET (2022)

UWEMEDIMO ATAKPO'S TREATMENT OF DECENTERED DEIFICATION AND INDETERMINATE RELIGIOSITYAMONG THE IBIBIO IN EDISUA

UNRAVELING THE METAPHORS OF AKWA-CROSS WOMEN HAIRSTYLES AND CODE NEGATION IN VIVIAN CHIJI'S AYAMMA