AJIWE UCHECHUKWU, Ph.D
The journal of Development Communication and Applied TheatreMUSICAL INTERRUPTION AND CRITICAL SPECTATORSHIP: A BRECHTIAN ANALYSIS OF SONGS IN SAMARU PROJECT.
STAND-UP COMEDY AS TEXT: A RE-READING OF ATUNYOTA AKPOBOME (ALIBABA)’S SELECTED PERFORMANCES
THE USE OF THEATRE IN COMMUNICATING PUBLIC HEALTH MESSAGES: A CASE STUDY OF NIGERIA
DANCE AND LOCALE CREATION IN COMMUNITY THEATRE: THE BOESTI 2025 EPORO OUTREACH IN FOCUS
ASSESSING THE DUAL ROLE OF WHATSAPP PLATFORM IN STUDENTS’ COMMUNICATION AND ENTREPRENEURSHIP: A CASE STUDY OF THE UNIVERSITY OF ABUJA.
ECOCRITICAL REFLECTIONS IN AHMED YERIMA’SHARD GROUND: ENVIRONMENTAL DISCOURSES AND THE PLATEAU STATE EXPERIENCE
MAKEUP EFFECT, FORMATIONS AND EXPRESSIONS IN NOLLYWOOD FILMS: AN ANALYSIS OF FUNKE AKINDELE’S SHE MUST BE OBEYED.
COMMUNITY THEATRE AND ECO-DEGRADING ENGINEERING RESPONSE IN NNA ENIN OF AKWA IBOM STATE
FILM AS ADVOCACY TOOL FOR WOMEN’S INCLUSION IN POLITICAL LEADERSHIP: A STUDY OF 4TH REPUBLIC BY ISHAYA BAKO
A CRITICAL APPRAISAL OF FEMI OSOFISAN AND HIS DRAMATIC COMPOSITIONS: THEMES, TECHNIQUES, AND SOCIOPOLITICAL ENGAGEMENTS IN ONCE UPON FOUR ROBBERS AND MOROUNTODUN
THEATRE AS PARADIGM FOR PUBLIC HEALTH PEDAGOGY: A THEATRE-FOR DEVELOPMENT INTERVENTION ON SCABIES AWARENESS AMONG NIGERIAN UNIVERSITY STUDENTS
THEATRE FOR DEVELOPMENT AS SURROGATE ELEMENT TOWARDS SUSTAINABLE DEVELOPMENT IN EKITI STATE
IMPACT OF CUSTOMER RELATIONS STRATEGIES ON CLIENTS’ SATISFACTION AND PATRONAGE: A STUDY OF BEAUTY SECRETS MED SPA, ABUJA
HERO TURNED VILLAIN: A CLOSE READING OF J.P CLARK’S OZIDI SAGA
THE USEFULNESS OF WHATSAPP GIF AND SYMBOLS IN DIGITAL COMMUNICATION
THE PARADOX OF EMOTIONAL INTELLIGENCE IN MARRIAGE: LIVED EXPERIENCES OF TEACHERS IN OYO STATE
EXPLORING THE UNFADING THEMES OF DEMOCRATIC EXPERIENCE ON THE NIGERIAN STAGE: THE EXAMPLE OF "WOMEN OF UMU-NJAM"
NARRATIVITY AND CREATIVITY IN NIGERIAN THEATRE: INTERROGATING THE APPLIED THEATRE AESTHETICS OF COMMUNICATION IN HAGHER’S SWEM KARAGBE AND OSOFISAN’S MOROUNTODUN