Tansian University Journal of Arts, Management & Social Sciences

This paper embarks on an in-depth exploration of the intricate dynamics of rebellion and redemption in Derek Walcott's O Babylon!, a musical play that intricately weaves Rastafarian themes into its narrative fabric. Grounded in postcolonial theory and cultural studies, this research employs a qualitative content analysis methodology to dissect the play's portrayal of resistance, identity, and liberation. By examining the intersections of Rastafarian ideology and Caribbean cultural heritage, this study reveals how Walcott's work challenges dominant narratives and offers a powerful counter-discourse to colonialism and oppression. The findings suggest that O Babylon! presents a nuanced exploration of rebellion as a means to redemption, highlighting the complexities of identity formation and cultural resistance in the Caribbean context. Ultimately, this paper concludes that Walcott's masterpiece offers a profound commentary on the human condition, underscoring the importance of self determination and collective empowerment.

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