JODCAAT Vol. 2 No. 1, 2024
Publication Contents
MUSICAL-DRAMA, STAND-UP COMEDY AND THE ACTS OF KENNY BLAQ: A REVIEW OF 'OXYMORON OF KENNYBLAQ (THE RUSH)' PERFORMANCE
THE INDISPENSABILITY OF DEVELOPMENT COMMUNICATION FOR NIGERIA'S NATIONAL DEVELOPMENT: SURVEY OF PORT HARCOURT CITY RESIDENTS
CHILDREN'S THEATRE AND THE DOMAINS OF LEARNING AMONG CHILDREN OF SELECT PRIMARY SCHOOLS IN MAKURDI METROPOLIS
REAPPRAISING ONWA ORU URATTA CULTURAL FESTIVAL AS A PRAGMATIC SOLUTION TO ECOLOGICAL CRISIS
THE INFLUENCE OF SOCIAL MEDIA ON AUDIENCE PARTICIPATION AND ENGAGEMENT IN NIGERIA'S THEATRE AND FILM EVENTS
INTEGRATING DIGITAL TECHNOLOGY IN THEATRE IN EDUCATION CLASSROOM: A STUDY OF SELECT PRIMARY SCHOOLS IN AWKA
THE ROLE OF PLAYWRIGHTS IN ESTABLISHING DEMOCRATIC CULTURE: A STUDY OF SELECTED PLAYS
THE DEARTH OF ADEQUATE RESEARCH IN FILM MAKING IN NIGERIA: A CRITICAL EVALUATION
ENHANCING STUDENTS ACADEMIC PERFORMANCE IN EDUCATION THROUGH DRAMA: COMPREHENSIVE DEVELOPMENT SECONDARY SCHOOL OWERRI, IMOSTATE IN FOCU
CREATIVE DRAMATICS AS AN EFFECTIVE MEDIUM FOR CHILD DEVELOPMENT: NAU CHILDREN'S THEATRE PRODUCTION AS PARADIGM
ZANGON TAMA THEATRE FOR DEVELOPMENT EXPERIENCE AS A CREATIVE INITIATIVE FOR UNLOCKING BOTTLE NECKS AFFECTING LOCAL COMMUNITY DEVELOPMENT IN NIGERIA
THE TIKTOK PHENOMENON: ITS IMPACTS AND CONSEQUENCES ON THE ACADEMIC PERFORMANCE OF STUDENTS AT NASARAWA STATE UNIVERSITY, KEFFI
FOSTERING CREATIVITY IN CHILDREN LEARNING: TEACHERS AS CATALYSTS OF INNOVATION
RESOLVING CONFLICTS IN NIGERIA THROUGH NOLLYWOOD HOME VIDEO: A VIDEO PARTICIPATORY APPROACH
THE NEGLIGENCE OF THE EFFECTIVENESS OF COMMUNITY SCREENINGS AND FILM FESTIVALS AS A TOOL FOR SOCIAL CHANGE IN SOME URBAN AREAS: A STUDY OF ONITSHA POPULACE
ASSESSING THE THEATRICALITY OF THE OKPOKA: A MASQUERADE PERFORMANCE GROUP OF OKIJA, SOUTHEAST NIGERIA.
CRIME, TERROR AND DISTRESS IN NIGERIAN COMMUNITIES: EXPLORING THE EFFICACY OF VIGILANTE SOLUTION IN SELECTED NOLLYWOOD FILMS.
THE MYTH AND PSYCHOLOGY OF RELIGION AS SOURCE OF CONFLICT IN DRAMA:AHMED YERIMA'S HEART OFSTONE AS CASE STUDY
STAND-UP COMEDY AS TEXT: A RE-EXAMINATION OF ATUNYOTA AKPOBOME’S (ALI BABA) SELECTED PERFORMANCES.