JOSUGA Vol. 7 No. 1, 2025
Publication Contents
RADICAL FEMINISM AND EMASCULATED PATRIARCHY IN LOLA SHONEYIN’S THE SECRET LIVES OF BABA SEGI’S WIVES
MIND STYLE AND COGNITIVE FRAMING IN ABUBAKAR ADAM IBRAHIM’S THE WHISPERING TREES
BETWEEN FACT AND FORM: RETHINKING LANGUAGE AND STYLE IN NIGERIAN HISTORICAL SCHOLARSHIP
RACIAL MIXTURES AND DISLOCATION: RECONFIGURING FRAGMENTATION IN KIM SCOTT’S BENANG
ETHICAL REFLECTIONS ON THE IMPACT OF ARTIFICIAL INTELLIGENCE ON HUMAN EPISTEMIC EMPLOYMENT OF CRITICAL THINKING
THE JESUS OF THE JESUS’ OPPONENTS: PERSPECTIVES AND TENSIONS IN THE FIRST CENTURY
POLITICAL RESISTANCE AND HUMAN EXISTENCE IN POST-ELECTION NIGERIA: A PRAGMATIC STUDY OF DR. YUSUF DATTI BABA AHMED’S TELEVISED REJOINDER
INTERCULTURAL COMMUNICATION COMPLEXITIES AND CUES IN NIGERIAN MULTICULTURAL CHURCH CONTEXTS
THE CHALLENGES TO DOMINANT NARRATIVES OF OUTCASTS IN NIGERIA: THE CASE OF AHMED YERIMA’S OTAELO
CULTURAL COMMODIFICATION AND THE CRIPPLING NIGERIAN CULTURES
SOCIAL INSTITUTION AND RELATIONSHIP IN LUKE 22:14-30: A SOCIAL INTERTEXTURE READING OF REMEMBRANCE MEALS AND EFFECTS ON HUMAN DIGNITY
THE ACCIDENTAL NATURE OF YOUTUBE FOR FILM ARCHIVING IN 21ST CENTURY NIGERIA
A STUDY OF THE MENTAL AND EMOTIONAL DEMANDS OF DIRECTING ON UNDERGRADUATE PLAY DIRECTORS
BEYOND THE LEAF: A CROSS-LINGUISTIC PRAGMATIC STUDY OF AFRICAN MEDICINAL PLANT NAMING
THE ROLE OF NEW MEDIA IN YOUTHS' PROTESTS AND AGITATIONS: AN INTERROGATION OF CIVIC ACTIVISM IN #ENDSARS
EVENTS MANAGEMENT FOR THE THEATRE ARTIST: AN EXAMPLE OF JOS METROPOLIS
A COMPARATIVE STYLISTIC ANALYSIS OF D. H. LAWRENCE'S SONS AND LOVERS AND JOSEPH CONRAD’S HEART OF DARKNESS
GARRICK BRAIDE AND THE METAPHYSICS OF AFRICAN SYMBOLISM
COMPARATIVE STUDY OF STRESS AND RHYTHM IN IKA AND ENGLISH LANGUAGES